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#Session guitarist kontakt 5 download full
You can, therefore, simply construct a full performance by changing chords, varying the pattern played and then adding suitable endings or pickups as required. Within the blue range of keys you can play chords and, based upon which keyswitched pattern is selected, you will then hear that chord played with the selected strumming pattern. The instrument can also add variable amounts of fret noise for additional realism. An additional five keyswitches (G#1 to C2, coloured yellow) provide ‘endings’ while three further keyswitches (C#2 to D#2, green) trigger what NI term ‘pickups’ (a body thump and muted finger slides up/down). These are grouped into ‘song’ presets, but you can also select any of the 100-plus individual strumming patterns and load them into one of the eight slots that make up a preset.Īs with any multi-articulation instrument, each of these strumming patterns is triggered via a keyswitch and, if you have the Kontakt virtual keyboard display enabled, these are indicated as a group of eight keys starting at C1. When loaded, by default, the dedicated front-end shows the Patterns page and from here you can select a set of strummed performance patterns. Within Kontakt, Strummed Acoustic consists of a single. The instrument is available as a 9GB download, but, once downloaded, installation and authorisation are straightforward using NI’s usual Service Centre tool.
#Session guitarist kontakt 5 download full version
Strummed Acoustic requires either the free Kontakt 5 Player or the full version of Kontakt 5. And as it comes with a rather nifty Kontakt front-end and a price accessible to the home and project studio owner, it sounds like a very attractive proposition indeed.
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If you take the modern sonic brilliance of something like Acou6tics and combine it with the simplicity of use provided by Virtual Guitarist, then you get very close to what Native Instruments’ Session Guitarist Strummed Acoustic is all about.
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It was very easy to use and, within the limits of the sampling technology of the day, sounded respectable. While it would now sound a little dated, the underlying concept was a good one: the instrument provided a range of preset performance patterns (strummed and picked) triggered through keyswitches but allowing those performances to be played at any tempo and using any chord. If we slip back in time about 10 years or more, a precursor to Acou6tics was Steinberg’s Virtual Guitarist. However, while something like Acou6tics is both powerful and sophisticated, it does come with a sizable price tag and a suitable learning curve. These offer some seriously good ‘playable’ virtual instruments, which allow you to construct performances that would slot right into almost any polished chart production. Top of this particular tree are products such as RealGuitar and Acou6tics, both of which have been reviewed in SOS. If you find nailing the sound problematic, as with other instrument types, you can turn to virtual acoustic guitars. This impressive application combines complete library of strumming patterns, genuine riffs and picked arpeggios with the actual time performance controllers.Whatever your playing skills or quality of instrument, capturing a pristine acoustic guitar recording can be a challenge in a home or project studio environment in the absence of a suitable acoustic space and some equally suitable microphones.An impressive program which can correctly capture a classic, playable electric guitar which is ideal for modern productions.Features of Native Instruments Session Guitarist: